The 'Precipitation of Life' installation is permanently installed at the MIT Nano building. This facility has four floors of 'clean rooms,' where the presence of humans clothed in bunny suits is considered the epitome of contamination. The installation confronts this sterile environment by introducing elements of life where they're typically forbidden. Moss specimens gathered from various locales in New England are examined under Scanning Electron Microscopes. These images, now living archives, highlight the enduring resilience of life and are projected onto walls in the clean room. Love poems displayed in lightboxes complement the visual narrative. The attempt is to infiltrate life where it was forbidden to exist, to challenge and question the sterility of an environment.